the big short
“You can’t really what it is to want things until you’re at least thirty. And then with each passing year, it gets bigger, because the want is more and the possibility is less. Like how each passing year of your life seems faster because it’s a smaller portion of your total life. Like that, but in reverse. Everything becomes pure want.”
Looking in no particular direction, Brooke (Greta Gerwig) says this to Tracy (Lola Kirke) as her life is falling apart. “Everything is pure want.” Maybe that desire, inexplicable and ineffable and uncontrollable, is the biggest running theme in my list, and to get personal, my life. In the films featured on this list and in my personal life, there’s the want for intimacy, to be validated, to be wanted, to be seen and heard, to find stability, to be human, to ache, to feel pleasure, to transcend or eschew convention. It’s full of flaws, complexities, and nuances. And it’s not that those wants or desired be fulfilled that matters: it’s the articulation that might matter more. It’s not only cinematic, it’s human.