As I said in another list, this year was slightly different, not only in that I wrote a heck of a lot more, but also in that I just saw more, at least as far as new releases went. My journey to making these lists was a fun one. Finals were already happening and I thought, oh, I have a couple of weeks to finish the seven or so lists I had to make, I have plenty of time. And then I realized I had just over a week. So I crammed in as many 2014 films as I could, and voila!
So, here it is, folks, my final, locked in list of my favorite 14 films that I saw in 2014 (I’m not worrying about US release date or anything, just counting what I saw.)
You can also find my ranked 2014 list on Letterboxd, my top 20 performances at Under the Radar, some capsules I contributed to Under the Radar’s best films of 2014, and to Sound on Sight (my individual ballot here), and my favorite musical moments in film from 2014. And, also, my superlative year in film. And also, my complete list of all the new releases I saw in 2014. Yes, I made a lot of lists this year.
Thanks for taking this cinematic journey with me! I hope 2015 to be as fruitful and fun! Have a safe and very Happy New Year, folks! Read the rest of this entry »
(Author’s Note: What follows is the first, or second if you count the essay on my father, entry in an infrequent series of personal essays I’ll be writing under the category of Art Imitates Life, which, I hope, is fairly self-explanatory.)
Sitting here, it’s almost a little strange thinking about just how resonant Her was for me. I do not doubt that there were others who were connected with the film, and I suppose that’s one of the many successes of Spike Jonze’s love story. From its ability to examine on how we live now to its focus on how we love now, Her does so many things right. And one of them was help me fall in and out of love with the same person.
The other night, my best friend Joe and I were watching Frances Ha. There’s a line where the titular character, played by Greta Gerwig, looks at her best friend (Mickey Sumner) and says something along the lines of “I love you, even though you love your phone that has email more than me.” Joe poked me in the foot and looked at me, and we shared one of those knowing moments between friends where we both knew what the other was thinking. It is true; I am a product of my generation, in the midst of a love affair with my phone and, in general, the internet. But to say that my addiction to social media is frivolous is missing the point and missing the complexities that go along with it. Which brings us to Spike Jonze’s newest film Her, a film as much about relationships as it is about introspection and technology, and how the two intertwine with one another in a passionate, sensual dance.