My writing really took off this year, for which I thank so many people (Justine Smith, Sam Fragoso, Austin Trunick, Scott Beggs, Jill Blake, Peter Knegt, et al.). I’m very excited for the year to come.
In the meantime, here are some things that I wrote that I didn’t hate. Read the rest of this entry »
Hey folks, I’m really excited to tell you that I have a new writing gig! I’ll be a columnist over at the awesome Movie Mezzanine. This is totally awesome because that’s a super great site and some of my favorite writers are on their team. Yeah, so thanks so much. The column I’ll be writing is called Songs in the Key of Cinema, which will take a look at how music is used in film. Thanks everyone for their support over the years! And thanks so much to Sam Fragoso for allowing me to join his team of great writers!
With that butter slathered hair, the cream colored jacket and ambrosial dress shirt, and flamboyant nature in general, Javier Bardem’s Silva seems, at first, entirely antithetical to Daniel Craig’s James Bond. But their similarities is what makes the relationship dynamic intriguing. Silva knows how Bond operates and knows exactly how to get under his skin: by challenging Bond’s ideal of masculinity. This sly, subversive action can be summed up easily by the use of one song: The Animals’ cover of “Boom Boom”. Late in the twenty-third James Bond film, Sam Mendes’s Skyfall, Silva brings a massive helicopter and blasts the song towards Bond’s home, taunting him, practically begging for Bond to walk out so Silva can continue to play mind games with Bond. And with the use of that song, one can delve into the twisted dynamic between James Bond and one of the most memorable villains in the franchise.