Ira Levin

Toil and Trouble: The Repression of Women in the American Dream and Roman Polanski’s Rosemary’s Baby

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(Author’s Note: This was my final paper for my Film and Dream class.)

Looking over Manhattan almost with a glare, the lavish apartment complex that Rosemary (Mia Farrow) and her husband Guy (John Cassavetes) tour is the stuff that dreams are made of. He’s a somewhat struggling actor, she’s… what is she? Rosemary is Guy’s wife. And as he begins to ascend into fame, and she is left with little more to do than take care of their as yet unborn child and fend off the nosey neighbors, an anxiety oozes into her mind that seems not to concern her husband. They may have finally made it, they may have finally achieved the American Dream, but that dream, as represented in Roman Polanski’s Rosemary’s Baby, is regressive, serves only to benefit men, to repress women, and uphold a restrictive familial ideal. It’s really just another nightmare.  Read the rest of this entry »