Start from Hello, Old Friend: In Loving Memory of Julie Klausner’s “Difficult People”
Being one of the two shows I actively make an effort to watch, the cancellation of the brilliant Difficult People is devastating for me.Biting gay men and their equally witty female counterparts, or arguably vice versa, are a shopworn cliche in comedies. But the significance of Difficult People, the Hulu Original created, written, and starring Julie Klausner and starring Billy Eichner, is the show’s ability to flesh out the world to be hyperspecific beyond bon mots. Playing a struggling writer and a struggling actor, the finely observed details of their relationship, in both cruelty and joy, are hard to find in most media. To use “Old Friends” from Stephen Sondheim’s cult flop musical in the season three finale, and the unexpected series’ end, is another example of the deft way in which Klausner could paint mean people as being capable of deep intimacy and love.
It’s a Small World, After All: “Difficult People” and Intimacy
Julie (Julie Klausner) and Billy (Billy Eichner) want to be seen as mean, bitter, small people that live a small world. As Inkoo Kang posited, “Difficult People is a sitcom about smallness.” To embrace the title as a fundamental part of their identity is a form of myopia that they are proud of, at least externally and publicly. Its first season, which premiered on Hulu in August 2015, established that bitterness and restrictive world view and arguably sense of self was not merely a character detail but the character itself; the pilot opens with Julie and Billy furiously walking down streets of New York yelling at people, ordering strangers out of the way, and making cutting remarks passing by, only to convene and… continue to do the same thing, but together. But though it wasn’t the focus of the first eight episodes, that there was a textural layer to this “haterade”, and emotional one no less, was there from the beginning. Difficult People is not only about small people and smallness, but small people continually struggling with to what degree they want to reach out and, like unlike the audience numbers of NBC’s Hannibal, grow. Read the rest of this entry »
Movie Revenues Are Going Down and This is Old News to Everyone
Roger Ebert recently posted an article giving his reasons and theories as to why box office revenue had decreased in the last two years. You can find the article here.
In it he cited 6 basic reasons:
- Lack of event films
- High ticket prices
- “The theater experience”
- Refreshment prices
- Others ways of watching movies
- Lack of choice
Here is my response, vehement, sardonic, snarky, and somewhat snobby.
Agree on all points. Going to the movies isn’t what it used to be. When you went to a film years ago it was something fun to do a mini event. But now, the only reason is for “the event movie”, which honestly are overloaded pieces of crap because the execs put so much effort into making them event films. The individual quality of the film is subjective of course and variable. But you won’t get insight or thought from today’s audience. You’ll only get “that was effing awesome” or “that sucked”. You won’t get why. It’s like if everyone went to a great buffet where they were serving a large turkey that had been carefully cured for hours. The fat content is through the roof. The are other dishes there as well, the supporting players. And the guests gorge on it, regardless of its health content. And what do they say? “Oh that meal was great” blah blah blah. No comment on how it actually tasted, how the ingredients worked together, how each dish was complemented by its respective side dish or drink. That’s why I hate today’s public taste. They don’t care at all about what they’re watching. I would at least respect someone who likes Transformers and understands and articulates why, but that inability to do so pushes me over the edge. It’s just eating or watching without real consideration. Also, fanboys and girls suck. They’re annoying and rude during a film.