Oskar, the pre-pubescent protagonist of Let the Right One In, is about as pale as the snow that blankets the frigid landscape around him in Stockholm, Sweden. His hair is technically blonde, but looks so drained of its color it might as well be just as frosted as his skin. He’s emaciated, seemingly all skin and bone with no muscle to be found. His lips look like faint, thin grey lines on his face. He is, most importantly, androgynous looking. All of these elements that make of Oskar’s character, not to mention his slight personality, so timid and naïve, are enough to give the bullies at his school reason enough to violently harass him. Even at the tender age of 12, the roles in this society are set: if one does not demonstrate the perceived standard for masculinity (or, conversely, femininity, such as in Carrie), one is immediately ostracized. It’s nothing new. Oh, and Oskar just might be a young person in search of his queer identity. Read the rest of this entry »
This entry was posted in Art House, Horror, romantic, Take One and tagged Bram Stoker, Carrie, Dark Shadows, Dracula, Dracula's Daughter, horror, Let Me In, Let the Right One In, The Crying Game, The Hunger, Tim Burton, Tomas Alfredson, vampires.