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“Identical” Crisis: Three Identical Strangers

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la-1530128659-3gvu8u05qv-snap-imageThere is a piece of archival footage in Three Identical Strangers that director Tim Wardle plays for the audience in triplicate: the boys, the subjects of the film, on a talk show in what appears to be a megachurch arena. The host, grey haired, stands closer with his audience, as the sideshow attraction sit on the yellowy orange carpeted stage, wearing the same outfit: a vomit and sunburnt green pull over and khaki pants. Their legs are spread apart and they slouch, and were they on the R train, they could easily be accused of manspreading. Three fold. The host, holding a microphone that looks like a Freudian lollipop, points out that the three of them are sitting in the same position. A quarter of a second later, the boy on the far left crosses his legs, and the other two, like a wave, follow. And although it’s played like magical, hokey intuition between the three identical triplets, their unknowable shared energy on display for the whole world, seeing the footage played twice, and three times reveals a bit of hesitancy on the second and third brothers in terms of following the action. But it happens, and the crowd goes wild, three times. Unquestioned. Read the rest of this entry »

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