I’m also reminded of the time I was once invited to play fantasy football. It was with some friends, including Kevin Ketchum and Bryan King, and someone had tweeted that it was going to be “film critics vs film fans”. In my naiveté, I thought that suggested that we would be picking actual film critics and film people to play football against one another. I was imagining Richard Roeper and Peter Travers being pummeled and thinking it would be “warm and likeable” to experience. Signing up to begin playing was kind of how I imagine the shoot for The Revenant to be, if I am to believe the press tour. Arduous, stressful, dirty, and bloody. (I gave myself a papercut.) But, in the spirit of making fantasy picks for things that are as foreign to me as heterosexuality, and also an awards show I just suffered through, here are my ideal picks for awards things. Read the rest of this entry »
Here are some words about how 2015 was a year that impacted me, in both good and bad ways. Here are some introspective thoughts about what that means to me. Here are some words about what I learned over the last year, and what I hope 2016 will hold. Here are some words about the movies I watched. I watched 340 new to me films, and around 120 2015 releases. I’m really happy I got to work with such great people this year and make some strides in my career, so thanks everyone. Read the rest of this entry »
“You can’t really what it is to want things until you’re at least thirty. And then with each passing year, it gets bigger, because the want is more and the possibility is less. Like how each passing year of your life seems faster because it’s a smaller portion of your total life. Like that, but in reverse. Everything becomes pure want.”
Looking in no particular direction, Brooke (Greta Gerwig) says this to Tracy (Lola Kirke) as her life is falling apart. “Everything is pure want.” Maybe that desire, inexplicable and ineffable and uncontrollable, is the biggest running theme in my list, and to get personal, my life. In the films featured on this list and in my personal life, there’s the want for intimacy, to be validated, to be wanted, to be seen and heard, to find stability, to be human, to ache, to feel pleasure, to transcend or eschew convention. It’s full of flaws, complexities, and nuances. And it’s not that those wants or desired be fulfilled that matters: it’s the articulation that might matter more. It’s not only cinematic, it’s human.