Beasts of the Southern Wild
It’s flu season! I mean Oscar season! But, is there really a stretch between the two? The Academy Award nominations are like that film you see where you’re fairly satisfied walking out, but the more you think about it, the more you begin to dislike it (sort of like Les Miserables, but not as bad). Anyways, here’s my quick lowdown on what I thought of this year’s nominees. (Here is a complete list.)
- Picture: Rather pleased with the Best Picture roster. Not surprised that Les Mis got in, but it doesn’t mean I like it anymore. Very, very happy that Amour slipped in. A little surprised that Django Unchained is in there at all.
- Best Actor: Can I just say how overwrought Hugh Jackman was in Les Miserables? Okay, thanks. Other than that, all looks fine and predictable. Nice to see Phoenix in there for The Master.
- Supporting Actor: Alan Arkin again. Please. Go away. Your one good line in Argo does not/should not equate with a nod. Honestly surprised that Waltz got a nod in Django Unchained over DiCaprio. No Javier Bardem for Skyfall bums me out hard.
- Director: Woo, #TeamHanake! Did you know my birthday falls on Oscar night? Yep. It was my secret (okay, not secret) birthday wish that Tom Hooper would not get nominated for Best Director. And it came true!
- Actress: Woo Riva, #TeamHanake! Cute to see Wallis in there for Beasts of the Southern Wild. But now I have to learn how to spell her name. A little surprised for Watts in The Impossible over Rachel Weisz in The Deep Blue Sea.
- Supporting Actress: It’s just lovely to see Amy Adams because I love Amy Adams. The inclusion of The Master at all this year, in acting categories especially, is nice, even if it didn’t get Directing or Best Pic nods. Jacki Weaver represents the usual “out of left field supporting acting nod”.
- Adapted Screenplay: surprised no The Perks of Being a Wallflower.
- Original Screenplay: Yay Amour, #TeamHaneke!
- Cinematography: WOO Deakins!
- Documentary Feature: Woo Kirby Dick!
- Foreign Film/The Movies with Subtitles: yay Amour again! #TeamHanake. You know what also would have been awesome, besides Holy Motors, of course? Oslo, August 31st.
- The rest of the lot: I’m super bummed that The Cabin in the Woods and Looper didn’t get in for Original Screenplay. That would have been nice. Sad that Andy Serkis didn’t slip in for Supporting Actor, but I don’t think that will ever happen, regardless of how brilliant he is as Gollum. No Holy Motors at all is crazy. No The Dark Knight Rises or Cloud Atlas, even in tech categories, is very surprising. Especially the former. It would have been lovely had Keira Knightley been in there for Anna Karenina. That Ted nomination is BS. And that “Suddenly” nod for Les Miserables just proves what everyone had been saying: a shameless way to get the film eligible for Best Original Song. No Bigelow, Affleck, and Tarantino are a surprise.
- Can I just say “Who Were We?” from Holy Motors should have been in there? Seriously.
- What can we learn from this year’s nominees: we had an average year for films. But you can’t please everyone.
- What you can learn from a variety of top ten lists from the year: we had a freaking great year in film. But you can’t please everyone.
But, the race ain’t over till Nate Silver puts in his two cents.