Like Me, Like Me, Don’t Retweet: “Malcolm & Marie” and “Fake Famous”

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There is so much bait in Sam Levinson’s Malcolm & Marie (on Netflix) that every moment is an arch rachis, a streak of fakery on an angler, barely hiding the dull hook. As the film prods its characters to prod its audience, the aggressive and argumentative film continually vies for your attention and interrogation, invites you, and then shies away, resentful, when you’re ready to joust. Its hook is rusty, dull, and so inelegant I’m surprised as many people took the bait as they did. Once one realizes that the characters, and the film, have little to say about anything, much less about art and film critics, it’s easier to recognize the lifelessness of the film.

Read the full essay here.

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