Month: December 2020
I’ll Have What…: Some Thoughts on “Happiest Season” and Questions of a Queer Romcom
Recently I watched The Prom and Happiest Season, and I don’t have a third example, so this isn’t useful as a trend piece to be featured in your favorite publication. These are different movies that effectively have similar genre topes, similar politics, similar conceptions of the closet, similar ideas of, as Erik Hinton puts it, “the rosy-cheeked triumphalism that the truth will set you free, the belief that someone can shape the world merely by shaping their picture of it.” Hinton notes that the convergence of personal identity revelation movies and coming out movies highlight the more aggravating parts of the respective types and augment them beyond tolerability.
My sense is that the two films have become foils against one another, depending on whom you ask, either representative of either the failure of grasping a contemporary vocabulary of relational dynamics or the success of a reformed genre that has been stuck in the mud of creakier perspectives that reveal the worst of a society audiences know can be better.Read the rest of this entry »