Month: March 2017

Dancer in the Dark: The Loneliness of Joshua Harmon’s “Significant Other”

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“It’s the light of day that shows me how

And when the night falls, loneliness calls”

– “I Wanna Dance with Somebody”, Whitney Houston

There is much dancing throughout Joshua Harmon’s new play Significant Other, which opened on Broadway at the Booth Theater on March 2. The dancing takes its form literally, as four friends – Jordan (Gideon Glick), Gay Jewish dweeb; Kiki (Sas Goldberg), loud and mess; Vanessa (Rebecca Naomi Jones), professional and cynical), and Laura (Lindsay Mendez), Jordan’s best friend and former college roommate – as they dance at each other’s bridal showers, bachelorette parties, and weddings, in clubs, bars, and Kentucky, with the number shrinking as each successively pairs off, and somewhat more figuratively. Figurative in, again, two senses: the cast literally bounces around the almost MC Escher inspired set, room stacked upon room, and with its language. Finding a nice comfort spot between the quasi-naturalistic dialogue of ‘90s sitcoms and romantic comedies, the cast bobs in and out, talking to one character in one scene and then easily bleeding into another conversation, a relentless swing time that inevitably leaves Jordan alone. And that’s what Significant Other is very plainly, very boldly in some ways about: being alone and trying to figure out what to do when you have to dance by yourself. Read the rest of this entry »

Blood, Sweat, and Tears as the American Way: Marc Anthony’s “I Need to Know”, the American Dream, and Lynn Nottage’s Sweat

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02sweat1-facebookjumboThere is a jukebox in the back of the bar where much of the action takes place in Pulitzer Prize-winner Lynn Nottage’s incendiary new play Sweat, running in Studio 54. It’s dusty and old and you can’t quite tell if it plays CDs or something else.   Taking place primarily over the course of a several months in 2000, Nottage implements a mixtape of early aught, late nineties tracks, songs that played on the airwaves too late before the club iteration of Studio 54 could blast them over a crowd of dancers in the city, dressed flamboyantly, swaying without  care in the world. Instead, the music plays in a bar the reeks of as much history as the jukebox itself, the TV occasionally on with the faces of politicians vying for the White House, including George W. Bush; a couple tables where the regulars from the textile factory sit or tumble over; and a tap that spits out weak, watered down beer, the same beer every day, in spite of the hopes of young Chris’s, a factory worker and with college on the horizon. The song that is the most striking in Nottage’s playlist, the one that bookends the show, is Marc Anthony’s “I Need to Know”, off his eponymous studio album from 1999. For a story about a bunch of working class people in Pennsylvania whose relationship with their jobs, with each other, and with capitalism itself becomes a dangerous pas de deux (or better yet, tango), Anthony’s Latin infused track is recontextualized within the play’s ideas. Read the rest of this entry »