Month: December 2016
Who is you, man?
Yeah, n****. You.
The question lingers in the air like the ribbon of smoke that’s unfurled from Kevin’s mouth after a puff from a cigarette. It carries a whiff of both genuine curiosity and the subtle nod that it’s almost rhetorical. Last year, Wesley Morris proposed that 2015 was the year we obsessed over identity, which is not incorrect. But what of this year, when the challenges marginalize communities face grow more visible in the public eye? Even the most loved and adored icons, as they’re so often called, were in some ways center points for discussions of identity – Prince, Bowie, Kiarostami, etc. In essence, haven’t we always been fascinated with not only who we are, but the politicizing of that question, so frequently without a clear answer? Read the rest of this entry »
As Nick Pinkerton’s review notes, the musicals that have come and gone in the last couple of decades have – through form and, to some degree, theme – noted, “They don’t make them like they used to.” But La La Land does try earnestly and effortfully to make them like the used to, “they” being the likes of Jacques Demy or Vincente Minelli or Stanley Donen. I can’t help but wonder why Damien Chazelle, an incredibly proficient director, wanted to “make them like they used to”. Is he just a caustic nostalgist? Read the rest of this entry »