Miss Interpretation: Review for "Atonement"
The long and somewhat confusing adaptation of Ian McEwan’s novel Atonement, is a masterpiece to behold during the Oscar season. The story of a young girl, Briony Tallis (Oscar nominee, Saorise Ronan, for Best Supporting Actress), who reads a letter that was delivered to her sister, Cecilia (Keira Knightley, ravashing as always), by Robbie Turner (James McAvoy) that featured the C-word and blames him for not only being a pervert, but molesting her sister in the library and her friend Lola. What happens: Robbie is sent to prison, but then joins the army during WWII in 1940. Robbie and Cecilia had been very much in love, but have now been torn apart for what the little girl had done 5 years earlier. She becomes a nurse and then tries to talk with her sister. Robbie is stuck in France in the war, desperate to get home to his Cecilia. The ending is not only emotional, but also a bit shocking. Some may feel tired and restles during the film, but the end of the film will completely change your views, as it did mine. In some sequences, it shows what Briony had witnessed, and then what really happen, going with the point of view, though some may find it hard to make the transition, due to no actual notification of change of scene or fashback. The film is very intricately made and is a wonderful watch. Keira Knightley is beautiful, graceful, and brilliant, though she smokes some eleven or twelve cigarettes. Smokey and the Falsely Accused Bandit, I guess. Young Ronan plays her with great ease. McAvoy and Knightley have great chemistry, real spark on film. This is the kind of film, however, that you have to be in the mood to watch. Dario Marianelli wonderful score, which has been nominated for Best Original Score Academy Award, is wildly creative. When Briony is on screen, a piano and a typewriter start playing an intoxicating little tune that, I suppose, symbolizes that something might happen, typewriters are weapons, and/or a reminder of what happened in the beginning of the film. Joe Wright, who previously directed Ms. Knightley in Jane Austen’s Pride & Prejudice, has come back to make a masterpiece of 2007.